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Hey, what is up?
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Welcome to this episode of the Wantrepreneur to Entrepreneur podcast.
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As always, I'm your host, brian LoFermento, and this is one of those episodes where gosh, I love podcasting, but I wish you could see all of the things that I've seen from today's guest, because her website, her work, the outputs that her company has for their clients they do incredible work and it is so visual.
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Our visual identities as entrepreneurs and as business owners is so important in the way that we show up in the world, the way that others perceive us, and her work is incredible.
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So, even though you can't see it during today's episode, I'm so excited for all of you to hear from and learn from today's guest.
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Her name is Dana Franks.
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Dana is the co-founder of JK Creative NYC.
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She's also a skilled post-production industry leader with over 10 years of experience in high-end retouching.
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She earned a bachelor's degree in visual studies, with a concentration in art practice and technology from the University of Pennsylvania School of Arts and Sciences.
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She specializes in post-production workflow, art direction and client service.
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So if you're sitting there thinking to yourself my brand is ugly, my website is ugly, the pictures that I have in all of my business deliverables are not the prettiest.
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Well, dana's going to give us a lot of food for thought from today's episode and a lot of things that we can think about and take action on to make our visual aesthetics so much more pleasing and so much more professional.
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So I'm excited about this one.
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I'm not gonna say anything else.
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Let's dive straight into my interview with Dana Franks.
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All right, dana, I am so very excited that you're here with us today.
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First things first.
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Welcome to the show.
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Thank you so much.
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Thanks for having me.
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Yes, I imagine that.
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Just kind of like what I teased in the intro, it's hard for you to talk about your business because it is so visual intensive, but I'm excited to put you on the spot here today and trying to do justice the great work that you and your team do.
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But before we get to that, take us beyond the bio.
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Who's Dana?
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How'd you start doing all this cool work?
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Well, I guess.
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Rewind to college.
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I've always been creative growing up, but in college I wasn't really sure what I wanted to do after school.
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And when I was a freshman at UPenn there was a new major being offered called visual studies.
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We didn't really know what that meant.
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They didn't really know what that meant.
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We were kind of the guinea pigs and we kind of helped shape the curriculum.
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A lot of it was graphic design, painting, installations kind of made it what you wanted it to be.
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It was pretty cool, but still at graduation I wasn't quite sure where I was going to go with it.
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My first job out of school I was doing marketing at a lead generation company, but my day to day was spreadsheets.
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It was a good first job, but it just wasn't the right fit.
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So about a year of working there doing spreadsheets, I said I need to go find something creative.
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So I landed on this amazing company called Impact Digital in Tribeca.
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I worked there for seven years.
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That's where I met my co-founder, sharon, who is the creative genius behind all of the things that you see on my website.
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I don't want to take credit.
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He's so amazing and we worked together at Impact Digital.
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I started in 2007.
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He joined a few years later and basically I worked my way from the low-level production manager up until, by the end, I was the vice president of the retouching department.
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So I managed about eight to 10 retouchers the production team, the accounts team, the pre-press team.
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That may not mean anything to someone who doesn't know the industry, but I'll describe a little later.
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You know what we, what we, really do.
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But then about seven years in, I got pregnant with my first son, jamie, and I was still working hard, loving it, going full speed ahead, and when I was about eight months pregnant, my doctor said you got to go on bed rest, sorry, dude.
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And then I basically had an identity crisis.
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I was like what am I doing?
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Oh, my gosh, am I a stay-at-home mom now?
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So I took a six-year hiatus from the industry.
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I had two more kids after that.
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So I have three boys now who are 10, 7, and 5.
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Three boys now who are 10, seven and five.
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And during COVID we were, all you know, locked down in the house, going a little stir crazy, and a bunch of my old co workers had started reaching out to me like Dana, we could really use your help on this.
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We could really use your help with that.
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Please come back.
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It's remote and I thought to myself you know I've been out of the game for six years.
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I'm not sure I would be caught up with all the technology, but I really did miss it.
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So it was actually the perfect way to get back into it by working remotely for my old company on a freelance basis.
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So that's how I got back in after having my kids and it was great.
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It was fun to reconnect with everybody.
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It was fun to be productive and creative again.
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And about maybe a year into the freelancing, my husband had the idea.
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One night he said I don't really understand why you're doing this hourly work when you could just be running your own business and taking all the profit.
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And I thought about it and realized he was right.
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When you have three little kids, your hours of work is precious time.
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So I wanted to be making the most out of it.
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Um, and once they were all kind of in preschool, I had the time to do it.
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So I thought who better to do this with than Sharon uh, who's my now co-founder.
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He's talented, so fun to work with, we really just have the best team relationship and I asked him if he would want to start our own business, and it didn't take long to convince him, and I'm the type of person once I set my mind to something, it's got to happen right away.
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So we made it happen pretty quickly and June 1st 2022, it was the official first day of JK Creative and you know, two and a half years later, we're doing awesome, having so much fun working together, and it's been really amazing.
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Yes, I love that overview, dana, and huge shout out to your husband for giving you that entrepreneurial push and for realizing that, because that's the cool thing about entrepreneurial stories is that when we have skills, there's so many different ways to monetize them, and huge kudos to you and Sharon for making it happen.
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And it sounds like your skills complement each other, your working style complements each other, and I really love to hear about these success stories of years into it, dana.
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Most businesses remember year one is so difficult when you're figuring all of those things out, and I know that you still wear many hats, as all of us entrepreneurs do.
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But before we get to that line of discussion here today, I'd love for you to introduce us to the nature of this work, because we're throwing words out there like post-production and retouching.
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A lot of people probably don't realize how much this plays into so many different industries.
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Obviously, you and Sharon work within retail, entertainment, food and beverage.
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But what the heck are you guys doing?
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What does this look like?
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What is it that you're selling?
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So I'll give you a couple of examples of things that we've done that you may not realize were worked on by a post-production house.
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So, for example, say you're walking through the mall and there's stores.
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They have the big windows with art in the windows.
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So, for example, under Armour say.
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You go to the Under Armour store, they have pictures of athletes in their gear.
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So we get photographs from Under Armour.
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They have their own in-house photographers that take pictures of the athletes wearing the clothes.
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But we take the photographs and we use Photoshop to get them to be print ready and you basically take a regular photograph and make it amazing.
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Another cool part of it is, for example, say they shoot the athlete wearing black leggings and then they realize that they want to sell leggings that have a camouflage pattern.
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So instead of reshooting, which costs more money, because they need to sell leggings that have a camouflage pattern so instead of reshooting, which costs more money, because they need to hire the photographer, they need to pay for the athlete's time, they need lighting, set, design, makeup, hair, all that stuff Instead of reshooting for a new product, we can actually in Photoshop, make those pants black to camo and make it look real.
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Um, so we save Under Armour a bunch of money, um, and they're able to sell what they want to sell, um, so that's one example.
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Another thing would be like if you're driving on the highway and you see a advertisement for a TV show and it's a cast of celebrities.
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A lot of times they won't take the picture of all the celebrities actually together, so they'll have them come into the studio one at a time and we have to make it look like they were all hanging out in the same room together.
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So, um, there's those types of things.
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Another thing that we do is packaging for food brands.
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So, um, for example, uh, I recently met somebody who was starting a candy company and she had done the food research and she was working with a food scientist to actually make the candy, but she didn't know how she was going to package it.
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So I said, hey, I can do that for you.
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And now we're doing packaging for this really cool brand that sells healthy date candies, and so her packaging has been a huge hit and she's now making new flavors.
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So now we get to do the new flavors.
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Has been a huge hit and she's now making new flavors, so now we get to do the new flavors, so really anything pretty that you see that was created by somebody could have been made by our company.
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Yeah, I love that overview, dana.
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Especially having lived in Los Angeles, I found that the secrets to Hollywood, the secrets of what we see on our TVs and in magazines it blows my mind what the realities of it.
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And it's people like your company, and both you and Sharon, that make so much of that magic happen behind the scenes.
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And so, with that in mind, obviously it's fun to have you on, because a lot of entrepreneurs I hear it all the time from listeners, from guests, from everybody who owns their own business that, oh, my website's terrible, oh I don't like my brand, my aesthetics are really bad, and, dana, they're comparing it to the finished product of a lot of these enterprise level brands.
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You gave the example of Under Armour that, of course, when they have a post-production team and agency working for them, of course it's really hard to compete on that level.
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What's your take for small businesses?
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I love the fact that you just gave that packaging example for small businesses.
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What are those touch points that we actually can excel in that we can look like those elite, premium products that we all know and love in big box retailers?
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Yeah, it actually doesn't have to be super costly.
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For that same company that we created the packaging for, she had her own website that she wanted to make herself because she wasn't really sure about her budgets, for, you know, website design.
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So she did it herself on Shopify and it did the trick.
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But she realized after she started to grow that the website didn't seem as big as the brand was going to be.
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So she asked hey, do you guys do website design?
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And we hadn't before.
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But because of the way Sharon and I work, we said, of course we can do that.
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We're good at visual things.
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We're going to hire the best web designer we can find and we made her website super awesome and she's getting a lot of compliments.
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We, you know, elevated her brand.
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But it didn't have to cost a lot of money because Sharon and I, you know, we have no overhead.
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We both work from home.
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All we have to pay for is a little bit of software monthly and it's we're able to provide a super high-end result with our years of experience, but we don't have to pay for rent in New York City.
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so yeah, dana, I'm gonna totally put you on the spot here, because so my mom's a hairdresser and what I've learned about hairdressers is that when you're in their presence, they will look at your hair, and I feel this way.
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Ahead of today's episode, I was like, oh man, dana's going to totally judge my setup and I'm sure she's already looked at our website and all of those things, and I know that you see the world through that lens, just like I see the world through an entrepreneurial lens.
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I see most things through the lens of business.
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With that said hopefully not using me as an example here today, but for listeners benefits, dana, what are some of those things that, when you look at most businesses, obviously you've seen the highest of the upper echelons of the way that these companies with big budgets can use post-production and even more.
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But what are the things on a small business level, dana, that you look at and you think, oh, come on, guys, like we could make some simple changes and this could be so much better?
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Yeah, I mean, I started looking at some websites recently where I thought, hey, we could really help those people out.
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And and it doesn't.
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It's not as complicated as one might think.
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I, I think you can use AI.
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Well, we can use AI.
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If you're trained in it, you can make photography look super amazing without too much extra effort.
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And, for example, this woman that we did some retouching her brother had been taking pictures of her product it's like candles and perfumes and that kind of thing.
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Her brother is a photographer and he was doing still life photography for her.
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But the shots were just kind of straightforward and plain tabletop candle.
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So we used AI to make a scene behind her awesome product and just basically take it to the next level.
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And when you go to her website now, you feel like I could spend a lot of money on these candles because they look super high end, instead of going to her website and thinking these don't look that great.
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I'm not sure I want to spend that much money on them, that type of thing, but I don't really go around looking at the world through a lens of like that could be better.
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That could be better unless somebody brings something to me, but yeah, I love that, dana Kudos to you, because sometimes we have to remind my mom we're like stop looking at that person's hair.
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So I love that you can turn that filter off.
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Dana, I want to ask you about the client communications because I know that I would imagine a lot of the work that you do.
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It's fun for both you guys, but also fun on the client side.
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However, my initial question with regards to client communication is how the heck do you extract those ideas from them?
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Or is it very much a hey, we know that you don't know what you don't know.
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Let us whip some magic up.
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Because when I scroll through your portfolio and again, huge shout out to Sharon and the work that he does as well I just think to myself how would anyone even think to come up with these types of visuals?
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Is that stuff that the client is also creative and they're coming up with it?
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Or are you guys really just dreaming up new things behind the scenes and presenting it to them?
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So when we work with an ad agency, there is a creative director, there is an art director.
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They know what they want, they tell us what to do.
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But if it's somebody who comes to us and they don't have an ad agency behind their brand and they're trying to do it on their own and they have some ideas but they don't really know what to do with them, Um, that's kind of where we step in.
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So on our website, I think we have something where it says you plant the seed and we make it flourish.
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Um, so I'll go back to the example of the girl who just created her candy brand and she had this idea for her packaging.
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She wanted to go like vintage diner vibes and she had all of these cool ideas in her head but she didn't quite know like, where to go with it.
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So with that one we did a pitch, you know, we did a presentation, we presented her with a bunch of different options and ideas that we came up with and she was drawn to some more than others.
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And then we kind of have a process where we play around with the images and see what works best.
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Sometimes we're even doing it on screen with the clients so they can see changes in real time.
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It on screen with the clients so they can see changes in real time and we.
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It's a collaborative effort.
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Sharon's super creative, but I also have a good eye for stuff, so if he is stuck somewhere one day which doesn't happen often I can be like, hey, let's do this.
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And then he's like, yes, amazing.
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So it's a team effort, but the client can give us as much or as little input as they want to.
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Some clients are super duper picky and we're happy to give them what they want.
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So yeah, I love that.
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It's really cool to hear some of the creative process behind the scenes between you and Sharon yourselves.
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I want to ask you it feels like a silly question to ask you, but just knowing how much magic can happen in post-production, I have to ask you how much of product photography, how much of these aesthetics, have to happen in real life, versus you can just whip them up using some software and that combination of AI that you kind of teased.
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I mean, these days you don't need to take pictures anymore.
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Unfortunately, there was actually a shift in our industry big time over the last couple years where artists were upset about AI because it's you know, it took away a lot of jobs in my industry.
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We kind of looked at it as another tool to use.
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We like to combine photography with AI when we can.
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Sometimes it's just easier and more cost effective to use it, but you have to know what you're doing.
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Yeah, it depends what the aesthetic is.
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If it's a Victoria's Secret photo shoot, you have these insanely beautiful models.
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They don't need a lot done to them.
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But sometimes, like I said with the Under Armour, the product needs to be different.
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So for Victoria's Secret windows or billboards, they're going to shoot the supermodels in one thing and then you got to we call it a strip in strip in a new product.
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So in that case you know the model is close to perfect.
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Sometimes you got to do a little tweaking to them.
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But these days actually, most models, um, they like to keep them looking natural, like themselves.
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Um, a few years ago, maybe even a decade at this point ago, um, the industry went away from perfection, uh, to see real people in advertising.
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So instead of making everything super duper perfect looking, we're adjusting the lighting and the color, and sometimes the photographs we get don't need a lot.
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Sometimes you know it's several hours of work per image.
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It really just depends on what it is.
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Some have more heavy lifting to do.
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Yeah, it's super interesting hearing your perspective on those trends because I'm thinking I'll confess publicly on the air I love scrolling through TikTok, and you're right, I see so many big brands just going back to someone just having a selfie video and talking directly into the camera, and so it's cool to see the way that these things are cyclical in nature and I'm sure one day the pendulum will swing the other way.
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With that said, dana, I want to switch gears a little bit, because it's always fun for me in these conversations to recognize you're not just a subject matter expert, you're also one of us, you're also a fellow entrepreneur, and I'll tell listeners that.
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One part of your questionnaire that I really liked before you and I got together today is you wrote I wear many hats, and just some of them that you listed out are account manager, producer, creative director, art director, print producer.
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There's so many things that you're managing, dana.
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Take us behind the scenes, into the life of a real life entrepreneur.
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What does that look like for you on this side of the world now that you're also running your own business?
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Right.
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So when I worked at Impact Digital, we had different people doing all of those jobs, but I managed the team.
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So I had a lot of experience with the ins and outs of every little thing that has to happen on these jobs.
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And one thing that we're really good at is always being two steps ahead.
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So we know what to expect most of the time and we know how to make things go smoothly and we don't have to put out any fires because we're always thinking ahead.
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And, for example, if a client say we're talking about a Showtime billboard and they're going to have vertical billboards and horizontal billboards, we need to build our Photoshop file in a way where the layers, the Photoshop layers, can move, so we can move our characters around.
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And if you've never done that type of thing before, it could get extremely complicated.
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But we have the experience and Sharon, my partner, is just phenomenal at planning.
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So the files, you know you look at them in the end as this beautiful artwork, but it's it is very technical as well.
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So he's thinking about the technicality and the layered files and I'm thinking about how do we make our client feel like it was the easiest thing they've ever done?
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And we're just good at communicating and you know, when I pay for a service whether it's a hotel, a restaurant, anything I expect good service and I want to give my clients good service.
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The same way, I want them to come out of the experience being like wow, that was really fun and easy and amazing.
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So that's the goal.
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Yeah, I love that, dana.
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I will say, obviously I interview entrepreneurs for a living and I see a lot of creative agencies that really step into and own the creative side of the world.
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It seems to me from the outside looking in and especially having the chance to talk to you here today, that you also take the business and the operations side just as seriously as the creative side.
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That's a blend that's hard to find and I don't know if it comes from the difference between you and Sharon.
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If it's something that you both jump into and you say, no, let's, operationally and process wise, think about every single step with that same level of intentionality.
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Where's that come from?
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How do you two approach that?
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Is it weekly executive meetings?
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Is it a monthly get together where you say let's map everything out from the client perspective?
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I'd love to get some insights there.
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Sure, I think for me it's very natural to want to do things as efficiently as possible In work and in life.
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I don't like wasting time.
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I want things to be done properly.
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So when I was managing a larger team, I think that's why people liked working with me, because I was always thinking how can we make this easier, how can we make this better?
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It doesn't have to be hard.
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It never has to be hard.
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Um, and with Sharon, we're just so good at working together at this point that we don't even talk about it anymore.
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We just know what to do.
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We're so, um in sync with our process.
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Um, but every client is different.
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So when we get a new job in um, we always have a project kickoff internally between him and I and we decide what's the best way to do this one.
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Kickoff internally between him and I and we decide what's the best way to do this one and it's usually pretty quick, figuring out the best way to plan it out and take care of everything.
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Yeah, I love that.
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Well, I'm going to put you on the spot then, dana, because you're taking all of these questions way too easily.
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So I'm going to ask you to look to the future for us, because obviously there's so many industry disruptions for all of us in our own industries.
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Ai is affecting literally everybody, and, I would imagine, your industry especially.
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So what's your view on where this is all going?
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What are the trends that you and Sharon are staying on top of?
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How are you staying ahead of those?
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Where does your mind go when it comes to the future?
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So, in terms of AI, I think right now it's gotten really good, but I could still tell when something's AI, I look at it right away and I'm like there's something not photographic about that image.
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And the cool part about Sharon's visual abilities is he can take AI and make it look like it's photography.
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There's so many fake looking things out there and I just love finding like the authentic images.